DuggieFields.com

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The Modern Institute, Glasgow, January 2017

Installation Group Show

THE GAP BETWEEN THE FRIDGE AND THE COOKER

The Modern Institute 2

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tit

http://www.stylist.co.uk/fashion/wonder-walls-art-collections-of-top-uk-fashion-designers-zandra-rhodes-alice-temperley

January 2017

Ever wondered what a fashion designer’s walls wear? Stylist gets a rare glimpse of the art owned by some of the industry’s leading lights

Photography: Eva K Salvi

Dame Zandra Rhodes, Fashion Designer (above)

I would describe myself as more of a hoarder than a collector – I love being surrounded by beautiful, colourful things while I work. Most of them are made by close friends so the value doesn’t matter, although I do have some Kate Malone vases worth around £5,000. If I have a dinner party, the people who have created my art are the people who I invite. We eat off a bespoke dinner service I commissioned from potter Carol McNicoll back in 1964; she worked for me during the summer holidays when she was at the Royal College of Art. I love to use my art or lend pieces to exhibitions; they do tend to get chipped but I don’t mind. To me that means that they’ve been through big adventures.

Hard edges

This was the first piece I bought, back in the Sixties. It’s by Duggie Fields, who fashion stylist Chelita Secunda introduced me to. She took me to his studio and I fell in love with this. I didn’t have the money to pay, so I just gave a deposit. Duggie came round to try to get it back, but when he saw how well it worked, we negotiated and he became a very close friend.

Pink lady

This is another piece by Duggie Fields – he has such a distinct style that I adore. It’s got a hard line edge that’s influenced by the Patrick Caulfield school [of work], although a lot of his earlier work had a cut-out style that’s reminiscent of Matisse. I’d love to own a Matisse one day, but they don’t come on the market very often.

KUNST Magazine, no 5 2008, Denmark

SCOTLAND-ON-SUNDAY Magazine, 9:11:2008

STYLE FILE, The Worlds's Most Elegantly Dressed, IKE UDE, Harper Collins, U.S.A. November 2008

Mermaid Triptych, 2008

Exhibition in Denmark, 6 September - 12 October 2008

Copenhagen Post. 19 september 2008

Portobello Film Festival at the Muse Gallery, September 2008

'Wound' magazine issue no 3 2008,

WWW.TELEVISIONET.TV - September 2008

Estelle and Kanye West, American Boy video summer 2008. Kanye West with Michael Jackson Badge

DOVER STREET MARKET, new installation 2008

2nd Floor , DOVER STREET, LONDON, W1

GQ STYLE AUTUMN/WINTER 2007

ID magazine, december 2007/january 2008

ON THE CATWALK FOR REI KAWAKUBO, PARIS 2007

The Daily Telegraph. Wednesday June 6, 2007 by Jefferson Hack. William Burroughs with David Bowie wearing a limited edition sweater based on my first Clockwork Orange painting.

Sunday Times Magazine, Jan 2007

page in Sept.2006 "L'UOMO VOGUE.'

in store at

comme des garcons DOVER STREET MARKET

LONDON - TOKYO

model: Jordan Bowen

ICA Special Event:
Zulurama 2
Film:
Dates between Sat 06 Aug - Sun 07 Aug 2005.
Writer/performer/curator David Ellis presents a personal response to the recent Kodachrome/Super 8 ‘offensive’ in Paris, initiated by Pip Chodorov of ‘Re-voir’ distributions.
This afternoon of Super 8 Home-Films/Art Films is knitted together by a presentation of original 1950/60 Kodachromic travel slides from his archive of found material. The selected films will include a unique screening of extracts from The Andrews Archive, a poignant, unaffected assemblage of filmed social history. Recorded on Super 8 film in 1963, it shows the now almost unthinkable reticence of ‘ordinary people’ in front of the lens. The programme will include rarely-seen footage from Andrew Kotting and special presentations from invitees Martin Andrews, painter/filmmaker/curator Louis Benassi and other yet-to-be-confirmed filmmakers. Ellis will present a rejigged version of his spoken extempore essay Zulurama, an homage to the saturated red of Kodachrome — ‘my 1963 teenage descent from grace into the world of colour.’
Background to Zulurama 2
In response to the recently announced discontinuation of Kodachrome Super 8 film, Pip Chodorov (filmmaker and co-founder of the A’bominable Film Lab, Paris) arranged a meeting with Robert Mayson of Kodak. Mayson suggested that Kodak might indeed produce more in the format if filmmakers and enthusiasts found a way to process it. Receiving this as a tentative green light, Chodorov decided to organise a ‘Kodachrome Reunion’ in Paris on the 4 July as part of a campaign — set to include a direct appeal to the French Government for intervention — for the continued production of Kodachrome Super 8.
Approx 120 mins
Guests presenters include Louis Benassi and Martin Andrews. James Mackay will introduce the Derek Jarman Super 8 short Duggie Fields plus films by Simon Tyszko and Gad Hollander.
Simon Tyszko's films include
Isotope
An archival Super 8 movie from the artist's own family collection. Transferred in slow motion to video, showing the artist as a child with his family including his now dead brother, Isotope is a calculated revealment, from which the artist extrapolates a universal conclusion from the particular details of his background.
11 mins
Control
Sampled and re-filmed from original 8mm 1960 blue movies, Tyszko enlarges and distorts the original imagery mixing meaning and metaphor in an examination of a personal culture of loss and desire.
2 mins
Andrew Kottings's 1986 B/W Super 8 Anvil Head the Hun will also be featured.
Venue(s) : Cinema 2.
Sat 06 Aug - Sun 07 Aug 2005